Welcome To Cascadia: Collaborations.
My first two shows at the Goodfoot, were 2004 and 2005. Natalie Oswald and I worked together to create series of collaborations that we did in a improvised style, working on them at the same time, passing pieces back and forth. Some great work came out of it and I learned a lot each time, lessons that I apply to my solo work as well. Some concepts are Non-attachment to the outcome or the object, being open to new techniques, learning from others and being willing to share ideas and techniques because it only progresses a style/movement/scene.
This series has four collaborations so far. Natalie painted/printed the background for the “Glow Koi” piece. It has some neat gold iridescent effect on top of the fish print. I finished one piece and here is a detail of a second piece that she started, same as the one I finished.
Detail, Natalie Oswald koi block print (became background for “Glow Koi”)
I like working with artists that I know will bring their best effort and do something rad even if it’s not what I expect. For this series, I had requests as to what I wanted them to add, but was open to however they wanted to do it. Heather DeWitt does some super cool miniature scenes, so I asked her for a forest to put on a shelf in the foreground of my first volcano painting. She made a partially burned treeline and we co-painted the ground and trees.
“Welcome To Cascadia”, Collaboration with Heather DeWitt, 36×24 inches
Detail, Collaborative forest, With Heather DeWitt
For years, I’ve loved the cranes and herons that Heidi Elise Wirz paints and draws. I saw a crane that she did for the Brink show here in Portland, so asked if she’s do a version of my heron piece. I gave her the same background scene that I’d worked with and she did this:
“Fire Crane” 18×24 inches, with Heidi Elise Wirz
Detail, Fire Crane, I love that she took the sci-fi element to a new level with the mutant version of the crane! Lots of linework and stippling!
I had a few ideas for Jonny Luczycki, but with the show approaching we settled on a samurai. The samurai is an element that worked its way in because of the Japanese print influence. Now it’s part of the narrative in this future world. Why samurai? I like the idea that it’s a return to old ways. It makes sense to me that in the potential destruction of cities, collapse of the technology grid, etc. that the bad asses would return to a simple and noble code.
“The Way”, 18×24 inches, with Jonny Luczycki
Detail, The Way, I like the painterly style on top of the graphic background. It’s good balance. It’s satisfying for me to see the same palette in two approaches.
I plan to add more collaborations to this series. There are other collaborations that are not part of this series and those will probably show up here at another time…
Volcanoes! (Boom For Real)
I remember the day that Mt. Saint Helens erupted. The big one, on May 18th, 1980. I have a photo album of newspaper clippings and a small canister of volcanic ash. It was a big deal for me as a kid. I didn’t make a specific decision to paint volcanoes, but somehow it keeps happening. (why doesn’t spell check catch “volcanos”? I really want to spell it without the e.)
This digital drawing was the springboard for this recent series:
I grew up in the cold war, but never really worried too much about the Russians bombing us. I have friends that had “day after” type dreams fairly often. Me, not so much. I had a fair grasp of Mutually Assured Destruction. In recent decades, I’ve had a fair amount of dreams where volcanoes are erupting, including some flooding, landslides and Pompei-esque ash fallout. I don’t consider them nightmares though. Not so much scary, as intense. It’s a reality it the Pacific Northwest (and all of the Pacific Rim). Before we were here and long after…
Over the last few years, I’ve done some album art for bands that I know and love. The requests for imagery weren’t specific in every case; however, some sort of volcano was the final result for these three! The image of the Cascade Range going off is something that I’ve been thinking about for some time, and that was part of The Health Dose back cover (and cropped for the front, below right). Mt. Saint Helens worked her way into the Fulero//Lehe cover (below middle, “Cocoon”). For The New Up “Gold” (below left), it was maybe a crater, but could also be a volcano.
Once again, I’ll mention that each piece in my new series has at least one volcano in it. I’m not sure how long that will be necessary, but for now, I like it (and the reference to “views of Mt. Fuji”). There’s somewhat of a narrative that is evolving around it, but I’m not ready to get into that. 😉 So far, I’ve represented Mt. Hood, Mt. St. Helens and Mt. Bachelor. I think I’ll add a few more locals. Maybe Adams and Rainier.
So, Here’s my work progress:
Jan 10: Today, I shopped for vinyl masking film and some cool spray paint colors. I worked the ol day job. I went by the goodwill and did some treasure hunting (I’ve been learning to fly my new remote control gyrocopter. Score!!). I gessoed up some black on 20 panels and painted outlines and a background on a giant squid painting. (both the squid and the painting are giant…) It was a studio session night with the homies, painting and eating snacks.
Coming up: Owls…