Art Studio progress (One Week to Goodfoot Show)
The last couple of days are a terrific blur. I’m in various stages of production, which you can see in the photo below. I’ve got finished backgrounds, a handful of completed pieces, some that are ready for collaboration, some that are masked and ready for paint. I took the photo in the day yesterday, then spent the night painting in squids, whales, and octopi.
I’m posting progress shots as I go, via artdamaged instagram. (also, they may show up down at bottom of the page)
The Influence of Printmaking (on my artwork)
In college, I was a printmaker. I carved woodblocks, etched copper plates, printed from linoleum and lithograph stones, and pulled silkscreen prints. In the last decade, I’ve mostly been a painter; although, printmaking still affects my technique. Much of the masking work that I do with tape or vinyl film is derived from a reduction printmaking process. (Glossary: “Reduction” – With a reduction print, each color is created from the same block. Each color is printed, the block is carved with more detail, inked again and then the new color is printed on top of the previous – usually on paper. The entire edition must be printed at once, because the block is permanently changed with each color. A truly “Limited Edition”.)
In addition to techniques, I’m drawn to the idea of editions, multiples, and variations (which are all concepts that are part of printmaking). Katsushika Hokusai is an artist that, for me, exemplifies the concept of exploring a theme. Having one thing that ties together a series, a springboard for experimentation, helps me narrow down the possibilities when deciding on imagery. The images above are from Hokusai’s “36 views of Mt. Fuji”. He also published “100 Views of Mt. Fuji”. I’ve repeated imagery in paintings because I like the context of using different colors, media, pattern on the same composition because it gives me a reference point for the subtleties, or even effectiveness, of each.
You’ll probably notice the influence of the Hokusai graphic print style, in my paintings. Also, once I realized that I had started several paintings with volcanoes in them – which reminded me of the Mt. Fuji series – I decided that I would include volcanoes in each pieces. I like the Mt. Fuji reference. I should probably write about volcanoes next…
Jan 6: I spent the day cleaning up the stencil design for my commission, then cutting the vinyl mask, and painted into the wee hours. I met with Johnny Luczycki, to discuss ideas about collaboration images and process/style.
Jan 7: I worked my day job. I shopped for Gesso (Glossary: “Gesso” is a painting primer that will prep nearly any surface for painting. It seals the surface and contains some grit that helps give “tooth” to the surface to help the paint adhere.) and tried to locate some soft block printing material in larger sheets. I didn’t find what I needed. Worked my night job.
Jan 8: Worked my day job. Bought some black gesso since I’ll be starting out with dark colors, this will make it easy to cover. I napped. I painted some panels with gesso. I’ll need a few coats, plus sanding between coats to get the surface smooth.
Jan 9: Tired. Slept late. I’m going to gesso the rest of the panels tonight. Make a shopping list for tomorrow. I need some things before the weekend!
Next…What’s up with the volcanoes? maybe actual art images from this series…