The last couple of days are a terrific blur. I’m in various stages of production, which you can see in the photo below. I’ve got finished backgrounds, a handful of completed pieces, some that are ready for collaboration, some that are masked and ready for paint. I took the photo in the day yesterday, then spent the night painting in squids, whales, and octopi.
I’m posting progress shots as I go, via artdamaged instagram. (also, they may show up down at bottom of the page)
The last week has been productive, but things are getting fun now! I started out the new pieces by layering up the panels: black primer, sanding, more primer or glazes of color, sanding, then back and forth with layers of metallics for shimmer and color shift effects. The order of the layering really affects the way the iridescent pigments react to the light. (I don’t have any of the formulas memorized; I just know something cool is likely to happen and I stop when I’m excited about it.) All of the woodgrain is painted on. I have a faux finishing tool that makes it pretty easy; the woodgrain gets layered in once or twice in the process. Once I’m happy with it, I try to make it pretty level and smooth, so it masks cleanly. This is the background layer.
For most of the images, I want this background to work as the “black” outline; why not make black complex and interesting. The aesthetic that I’m drawn to for this is sort of weathered patina with greenish and bronze or copper that’s stained and scuffed up.
Once most of my panels were layered up, I was excited to do some illustration on top, so I painted an owl with a volcano. I enjoy making variants, versions, whatever. Themes/Motifs/Series within series. I like to try all the options; I used to get stuck trying to decide the best way to finish a piece. Now I like to see them all in context and appreciate how they relate to one another. Repetition adds a weird twist to how we think about the pieces too: how original is it? Is the print on wood have value over a print on paper? We think of prints as copies sometimes. When it’s painted, is that a print or a painting? — Yeah, this is the stuff that I think about during those hours of brushing layers and sanding; it’s very contemplative and zen. Haha! (for real tho.)
This is the newest one. It’s a little guy. 12×12 inches. Acrylic on wood panel.
I cut the stencil after working the image up in photoshop, from this photo of an 8×8 print:
I printed it from this block that I carved:
I sketched the block out, while looking at this painting:
I used the 8×8 block to print 6 pieces for the Big 400 Art Show. They looked like this:
There’s some bigger versions with a similar composition, one with mt. hood, one with multiple volcanoes. I’ll share those another time.
I’ve also drawn up two new compositions and I’m working on the stencils tonight. I’ll share designs and progress tomorrow. I expect to have illustrative images going down onto the bottom layers over the weekend! My schedule has been working in the early afternoon (day job) and then napping for about three hours, then studio arting from about ten until late (bed around 5 or 6am) then about five hours of sleep for the night. It’s working alright; tho, I think I prefer to get started in the afternoon so I’m in a groove by night time.
My new images are squids and octopi…More tomorrow!